Sergey Pachomov “We are dead already ili Pizdulkin slushaet”

Sergey Pachomov “We are dead already ili Pizdulkin slushaet”

Sergey Pachomov “We are dead already ili Pizdulkin slushaet”
Sergey Pakhomov gladly flaunts two main characteristics of his work, which are absurdity and idiocy. He ambitiously positions them as his creative credo. So what exactly does he mean? We would probably be better off not knowing, but let’s try anyway. We all know the meaning of these words of the foreign origin. Continue reading

Mikhail Rozanov

Mikhail Rozanov

Mikhail Rozanov
After half a lifetime in dire straits I am already old; I stand alone in my study to whistle in the night breeze. The pearl under my pen has no where to sell; it is tossed and thrown into the wild vine. Xu Wei, 16th century It’s been three years since Mikhail Rozanov, a well-known Moscow-based photographer, opened his grandiose show of his architectural studies of colonnades and fountains at D137 gallery. Continue reading

Sergey Sapozhnikov

Sergey Sapozhnikov

Sergey Sapozhnikov. On the green light Painting of young artist Sergey Sapozhnikov from far Rostov-on-Don looks dual for the Petersburg spectators. On the one hand we can see all attributes of a nugget – the talent getting in space familiar to “Van Gogh’s myth” about almost mad genius who wasn’t understood by his contemporaries (from where Julius Meergrefe deduced the myth about the modern art). Continue reading

Alexandra Fedorova “Inner architecture”

Alexandra Fedorova “Inner architecture”

Alexandra Fedorova “Inner architecture”
In a temple, its outer form, abound in images and decorations, refers to the prakrti, the nature, and the multiple manifestation of the Universe in its interplay with the future. In its turn, the inner part of the temple, its sanctuary that is surrounded, as a rule, by naked walls is referential of the purusha, spiritual principle, pure Being and Consciousness. Marilia Albanese India In her second exhibition at the D137 gallery, Alexandra Fedorova who formerly experimented in postmodernist fashion presents her new experiments done in quite a complex and nowadays very uncommon genre of architectural painting and veduta (cityscape painting). Continue reading