The first exhibition of the FABLE association in Galerie à CLUNY Ecuries de Saint-Hugues

The first exhibition of the FABLE association in Galerie à CLUNY Ecuries de Saint-Hugues

                                                                 FABLE

(France. Art. Beauty. Freedom of Expression) exhibition presented by the Fable association

FABLE is the first exhibition by an association of the same name, bringing together artists of diverse origins living in France. The exhibition features paintings, graphics, and sculptures by four very different artists but united by their love for France and its culture. At a time when the world is being torn apart by the injustice of war, fueling pain and hatred, every artist advocating for peace has a duty to help repair our society by promoting compassion, common sense, and forgiveness. Art has a particularly important role to play as a manifestation of human spirituality and development. The artists of different nationalities presented in this exhibition unite against tyranny and the political games designed to divide creative minds. They stand for peace, love, and compassion. They use art to better understand and explain the current situation, to reflect and document both the pain and the hope of humanity. France is the country of Liberty, Equality, and Fraternity. It not only gives artists the opportunity to create freely but also inspires them with its great history, the diversity of its nature and the richness of its culture.

 

The exhibition presents the work of the following artists:

Alexeï Burchalovski, born in 1963 in the Soviet Union, is a Russian-born artist who lives and works in Cluny (Burgundy-Franche-Comté). After studying electronics, he worked as a sound engineer on the alternative scene of Saint Petersburg. In 1996, he moved to France, where he created his first works from recycled materials. A self-taught artist, he creates assemblage sculptures from a variety of materials such as metal, wood and stone, as well as paintings which he has been exhibiting since 2001.

Yelena Lewis, born in Soviet Russia before Perestroika, is a British artist of Russian-Ukrainian origin living in Leaz (Ain). Since 1977, she has lived in various European countries and traveled all over the world. Yelena’s art is influenced by the diversity of human cultural experience and the universality of human emotion.

Karha Nizharadze, born in Batumi, Georgia, is an artist of Georgian origin living and working in Annemasse (Haute-Savoie). After graduating from the Tbilisi Academy of Fine Arts with a master’s degree in monumental painting, he moved to France in 1999 and settled in Metz, where he attended courses as an auditor at the Faculty of Fine Arts. His paintings fluctuate between the abstract and the figurative, taking the viewer into a dreamlike and timeless dimension.

 

Sergey Sergeev, born in Leningrad in Soviet Russia, is a Russian-born artist who has been living and working in Annemasse (Haute-Savoie) since 2013. He graduated from the Serov Higher School of Fine Arts. He began his career at the Mariinsky Theatre and became an active participant in the Russian non-conformist movement in 1974. He was also one of the founders of the iconic contemporary art gallery D137 (in Saint Petersburg). He developed his personal style by studying the painting techniques of Flemish Northern Renaissance artists and etching. Today, his works, exhibited since 1975, can be found in museums and collections such as the Hermitage Museum, the State Russian Museum, the Sergei Kuryokhin Foundation, the ERARTA Museum of Contemporary Art, the Museum of Non-Conformist Art in Saint Petersburg, the Zimmerli Art Museum in New Brunswick, New Jersey, USA, the Kolodzei Art Foundation, USA, the Sandretto Foundation, Italy, as well as in the collections of Helen Mirren and Taylor Hackford, USA.

 

FABLE Association

FABLE Association


FABLE Association

France. Art. Beauty. Freedom of expression

The FABLE association was created in January 2024 with the idea of uniting the artistic activities of its members, who are people from different backgrounds, living in France or in other countries, but loving France, its culture and drawing inspiration from it.

France allows creative people freedom to express themselves, and the association welcomes artists who create and appreciate beauty that can beautify and improve the world, and helps them integrate into French culture. Members of the association can be creators of different directions: artists, musicians, writers, filmmakers, actors, etc.

The idea of creating an association belongs to the Art Club D137.

The association’s first project is the FABLE exhibition, which will take place in June 2024 at the Ecuries Saint-Hugues exhibition space in Cluny (Burgundy). Artists participating in the exhibition:

Alexey Burchalovsky, Elena Levis (www.yelenalewis.com), Kakha Nizaradze (www.karhanizharadze.org), Sergey Sergeev (www.d137.org)

Contacts: fable@d137.org

 

PAX MUNDI /Together We Stand/ Exhibition 2022

PAX MUNDI /Together We Stand/ Exhibition 2022

PAX MUNDI /Together We Stand/ Exhibition 2022

Exhibition booklet

PAX MUNDI

“Together We Stand” is both the title and underlining concept of an international exhibition uniting artists from different countries in this global time of crisis. It brings together the works of:

 

  • Vlad Yurashko and Vika Shumskaya, Ukrainian artists living in Slovakia;
  • Yelena Lewis, a Russian-British artist living in France;
  • Karha Nizharadze, a Georgian artist living in Switzerland;
  • Sergey Sergeev, a Russian artist living in France.

As the world is torn apart by unjust wars, breeding pain and hatred, it is the duty of every artist who stands for peace to help repair and mend our society by promoting compassion, common sense and forgiveness. Art has a particularly important role to play as a manifestation of human spirituality and development.

The multinational artists showcased in this exhibition stand together in rejection of tyranny and the political games designed to separate creative minds. They speak for peace, love and compassion. They use art to better comprehend and explain the current situation, to mirror and document both human pain and hope.

 

Freedom from Being Relevant, personal exhibition of Sergei Sergeyev in the ERARTA Museum, St. Petersburg

Freedom from Being Relevant, personal exhibition of Sergei Sergeyev in the ERARTA Museum, St. Petersburg

Freedom from Being Relevant, personal exhibition of Sergei Sergeyev in the ERARTA Museum, St. Petersburg 02.03.2022-05.06.2022

Sergey Sergeyev’s half-century creative career looks impressive and quite befitting a St. Petersburg based painter: apartment exhibitions of the Leningrad underground artists, religious and mystical quests within Alipius artist collective, and a breakthrough to a wider audience as part of the Society for Experimental Visual Art (TEII). Riding the wave of enthusiasm for Soviet art, Sergeyev took part in international exhibitions which secured him final and definitive recognition in Russia and cemented his union with D-137, one of the city’s first art galleries. As fate would have it, the artist has always been the trailblazer of the creative avant-garde, actively involved in everything that was happening for the first time or against all odds.

In the past two decades, brandishing the motto of ‘Freedom from Being Relevant,’ he has not, however, lost any of his innate interest in observation. Running parallel to the stellar track record of a successful painter whose works are ‘in major collections in Russia and abroad,’ there is Sergey Sergeyev’s private journey, full of landmark meetings and arresting visions, gradually acquiring a mythical quality. A full-time observer today, he was once employed as a mountain ‘snow record keeper’ and used to listen to the music of the spheres at the Crimean Astrophysical Observatory in the company of Brian Eno. Sergeyev’s principal link to modernity is through music, although his works hardly allow one to identify him as a passionate audiophile and record collector, equally interested in vinyl, audio tapes from the times of the Leningrad Rock Club, and rare CDs released solely for the benefit of hardcore fans. The realm of sound, specifically such product of the retro pop culture and romantic aestheticism as new wave music, defined one of the major themes explored by the artist.

Interestingly enough, Sergeyev enjoys his ‘Freedom from Being Relevant’ while being inspired by three subjects that were erstwhile trendsetting and incredibly popular – in other words, relevant. As his interest in new wave subsided, the artist turned to the image of palimpsest – a parchment scroll from which the previous text has been scraped or washed off but is still visible below the new one. This archaeological phenomenon serves as an apt metaphor for the mid-to-late 20th-century art. Each painting from the Palimpsests series is a vision of a text written in all the world languages at once and not meant to be read. Most of Sergey Sergeyev’s paintings testify to the existence of a universal language, the logos from which all things originate. Ungraspable to man, it can be recognised in the sounds of music, written signs, or the voice of nature.

Sergeyev’s next extensive series of paintings, Captcha, continues to explore the subject of man as the bearer of the divine spark of language. Captcha (the Completely Automated Public Turing test to tell Computers and Humans Apart) has become a part of our everyday life. We owe the emergence of this mildly amusing routine to a philosophical question: can machines think? The rise of self-learning artificial intelligence became one of the challenges of the very relevant reality from which Sergeyev the artist claims to be free. Perhaps an even more urgent question would be: what does it mean to be human? Before we even knew it, we found ourselves convincing machines of our right to be considered human by typing a number of distorted symbols in a dialogue box several times a day.

Jokes about this abound among the Internet lore: ‘Degradation is when captcha becomes the message,’ ‘Postmodernism is captcha being considered a finished literary work,’ ‘Artistic freedom is captcha that has spaces for self-expression,’ ‘Enlightenment is realising what every character of kaptcha stands for,’ etc.

Sergey Sergeyev’s many-layered painting style turns semblances of signs – calligraphic fantasies imitating letter-based kaptchas – into palimpsest manuscripts in which meanings eagerly await an attentive human eye. Postmodernists cut and pasted their bizarre novels and blockbusters using easily recognisable references – it was the ability to spot them that made the dialogue with these creations pleasurable. Nowadays, the ‘irrelevantly free’ artist Sergey Sergeyev offers us his works feigning computer-generated text as a test to determine whether we are still human.

 

By Pavel Markaitis

New book by Professor Viktor Pavlovich Samokhvalov “Hermeneutics of Psychiatry”

New book by Professor Viktor Pavlovich Samokhvalov “Hermeneutics of Psychiatry”

New book by Professor Viktor Pavlovich Samokhvalov “Hermeneutics of Psychiatry”

On the cover is Sergeyev’s painting “The Mysterious Soul of My Friend”

https://medbook.ru/books/44171?fbclid=IwAR1UifCNefHypUl2NnnVubaJHEoiUYHlVtTqm76wxtH7PnbFKct-0Bykx_4

Art Club D137 starts a new project Top of Europe Haute Savoie

Art Club D137 starts a new project Top of Europe Haute Savoie

TOP OF EUROPE HAUTE SAVOIE

The Art Club D137 project, which is called Top of Europe Haute-Savoie, opens a new page in the activities of our club, which can now also be called the Haute Savoie Amateur Club. The project is dedicated not only to culture, but also to many other aspects of life in this wonderful region of France, which is the highest point of Europe not only due to its geographical features, but also to the most interesting history, cultural studies, nature and, of course, people. We fell in love with this land, and we will talk about it in the hope that you will discover it for yourself!